OK, fine, for those of you who weren't even alive then. Saturday Night Live, or NBC's Saturday Night, was the funniest, and most important, TV show of the late 70s. Lorne Michaels pillaged the National Lampoon Radio Hour and Second City Theaters (whose leftovers were so talented they created SCTV and had the 2nd funniest show on TV in the same timeperiod and for some time after) for actors and writers, gave them free reign and enough money to buy whatever drugs they saw fit, and set them loose at a time when no one was home watching TV (except maybe babysitters wondering when the fuck those parents were going to get home and why can't I get this liquor cabinet open). And the world exploded.
Even when they did sitcoms they were "Kate & Allie" and "Community"
For five seasons they defied taboos, infuriated censors, created characters and phrases that live to this day, and basically took over the planet. Then, on May 24, 1980, they aired the last episode with the real cast and writing staff.
Everything after that has been a bad dream concocted through an evil stew of Lorne Michaels' ego, NBC's greed, viewer inertia, and a sweetheart deal with movie studios that makes even the worst idea a full-length feature.
"OK, here's the pitch. It's about two guys who shake their heads...yeah, that's it."
Saturday Night Live made it OK, or even cool, to be home on Saturday night from 11:30p to 1:00a Eastern time. Now, that pale imitation in its time slot makes a case for the eradication of all life on this planet.
Of course, it's easy to take the best of the five years and compare it to the worst of what came after and say "this proves how much better it was." But I think my friend Steve summed it up best sometime in the 90s when he said about the show "back in the day, you'd watch it and say 'it was great - there was one sketch that didn't work, however.' Now you watch it and say 'it sucked - there was one sketch that wasn't bad, however.'"
To which I replied "then stop watching it."
The sad, simple fact is that NBC could air 90 minutes of a pile of shit slowly rotating, and so long as it had the name Saturday Night Live it'd get a good rating. Conversely, a show that is 500x funnier put on in that same timeslot, but called anything else, wouldn't do as well.
And I sincerely believe NBC knows it. So they just haven't bothered. For 31 years now.
You can split the show's history into distinct eras. And all but one of them will make you go "ugh." Or, at best "well, it wasn't so bad."
Remember, these periods are the reason we have Jimmy Fallon with his own talkshow. Think about it. Jimmy Fallon. Five nights a week. And in commercials for some fucking bank.
These periods are why The Love Guru was made.
These periods gave us Will Ferrell's ass in 30 different movies. You know your comedy is sad when the highpoint of your script is showing your ass.
These periods created Joe Piscopo.
They convinced Eddie Murphy he could do no wrong.
Rob Schneider.
David Spade.
And folks...these are considered the BEST they had to offer. The Charles Rockets (RIP) and Victoria Jacksons of the world I will leave alone now. They have to live in their infamy and shame.
At this point someone inevitably mentions Tina Fey to me. Tina Fey is amusing. That's about all. I have yet to hear one brilliant, or even very funny, line from her. She passes the time nicely; she's a soft-rock hit from the 70s that you don't need to hear more than once.
Yes, this is somewhat personal to me. Saturday Night Live made me want to do sketch comedy (shameless plug for the sketch show I'm doing this month). I was asked once "is your goal to write for Saturday Night Live?"
No. My goal is to write for the show that finally puts the fork in its dead, bloated carcass.















